{"id":2079,"date":"2021-10-26T16:17:55","date_gmt":"2021-10-26T14:17:55","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/artist\/lisbeth-gruwez-voetvolk\/"},"modified":"2021-11-24T10:20:51","modified_gmt":"2021-11-24T09:20:51","slug":"lisbeth-gruwez-voetvolk","status":"publish","type":"artist","link":"https:\/\/hiros.be\/en\/artist\/lisbeth-gruwez-voetvolk\/","title":{"rendered":"Lisbeth Gruwez \/ Voetvolk"},"content":{"rendered":"<p>\u00b01977, lives and works in Brussels<\/p>\n<div>\n<p><strong>Lisbeth Gruwez<\/strong> studied contemporary dance at P.A.R.T.S.  from 1997 to 1998. She started her professional career with Ultima Vez,  in the Pasolini Project <em>Of Heaven and Hell <\/em> and <em>Away From Sleeping Dogs <\/em>with Iztock Kova. Since 1999 Lisbeth Gruwez has been working with Jan Fabre, performing in <em>As Long As the World Needs a Warrior&#8217;s Soul <\/em>, followed by <em>Je suis sang, <\/em> the production for the Cour d&#8217;Honneur in Avignon. In 2001 she starred in Pierre Coulibeuf&#8217;s film <em>Les Guerriers de la beaut\u00e9 <\/em> about Jan Fabre&#8217;s work. In 2002 she starred in <em>Images of Affection <\/em> for Needcompany\/Jan Lauwers. A year later Lisbeth Gruwez worked with Grace Ellen Barkey in <em>Few Things <\/em> and <em>Cry Me a River <\/em> by Riina Saastamoinen. Still in 2003 she danced in <em>See-Sick, <\/em> a Polydans production, and <em>Foi <\/em>, which was a production by Les Ballets C. De la B.\/ Sidi Larbi. In 2004 Jan Fabre created a solo for Lisbeth Gruwez: <em>Quando l&#8217;uomo principale \u00e8 una donna <\/em>. She also participated in the installation <em>DON&#8217;T<\/em>, along with Peter Verhelst. <\/p>\n<p><strong>Maarten Van Cauwenberghe <\/strong>\u00b01976<br \/>In 1999 Maarten  left the Antwerp Jazz Studio to start playing as a musician and  performer with Jan Fabre. Their first joint project was <em>As Long As the World Needs a Warrior&#8217;s Soul <\/em>. In 2001 Maarten Van Cauwenberghe composed the music for <em>Je Suis Sang <\/em>, a production for the Cour d&#8217;Honneur in Avignon. In 2004 he wrote the music for the dance solo <em>Quando L&#8217;Uomo Principale \u00e8 una Donna <\/em>  with Lisbeth Gruwez. Besides his work with Jan Fabre, Maarten Van  Cauwenberghe has also worked with the Rosas dancer, Julia Sugranyes &#8211; in  the performance <em>Redial 2 <\/em> &#8211; and he composed the music for the dance performance <em>Sens Acte Sans <\/em> by Label Cedana (C\u00e9dric Charon and Annabelle Chambon). In 2003 he created the music for the Polydans production <em>See-Sick. <\/em>  In 2006 Van Cauwenberghe and the dancer\/choreographer Lisbeth Gruwez  founded the non-profit organization vzw Voetvolk for the purpose of  producing their own dance performances. Their first production, <em>Forever Overhead <\/em>, premiered in January 2007.<\/p>\n<div>\n<div>\n<div><a target=\"_blank\" href=\"http:\/\/www.voetvolk.be\/\" rel=\"noopener\">www.voetvolk.be<\/a>   <\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00b01977, lives and works in Brussels Lisbeth Gruwez studied contemporary dance at P.A.R.T.S. from 1997<\/p>\n","protected":false},"author":2,"featured_media":2080,"template":"","acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lisbeth Gruwez \/ Voetvolk &ndash; Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/en\/artist\/lisbeth-gruwez-voetvolk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lisbeth Gruwez \/ Voetvolk &ndash; 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