{"id":11388,"date":"2024-01-15T18:10:58","date_gmt":"2024-01-15T17:10:58","guid":{"rendered":"https:\/\/hiros.be\/?post_type=project&#038;p=11388"},"modified":"2025-06-24T14:54:00","modified_gmt":"2025-06-24T12:54:00","slug":"swamp-sacrifices","status":"publish","type":"project","link":"https:\/\/hiros.be\/en\/project\/swamp-sacrifices\/","title":{"rendered":"Swamp Sacrifices 24"},"content":{"rendered":"\n<p>Since 2021, <a href=\"https:\/\/hiros.be\/en\/artist\/paula-almiron-wouter-de-raeve\/\" target=\"_blank\" rel=\"noreferrer noopener\">Paula Almiron and Wouter De Raeve<\/a> have been working in the Northern Quarter in Brussels on the choreographic research project <em><a href=\"https:\/\/hiros.be\/en\/project\/i-build-my-language-with-rocks\/\" target=\"_blank\" rel=\"noreferrer noopener\">I Build My Language With Rocks<\/a><\/em>; a critical reading of top-down movements (large-scale urban plans), with a focus on the local movements in the neighbourhood. The notion of the swamp \u2013 one of the first forms of life buried under the asphalt in order for the city to be written \u2013 functions as a dramaturgical guidance throughout the project. Swamp Sacrifices emerges from this ongoing research and invites other practitioners to think along with them.<\/p>\n\n\n\n<p>Swamp Sacrifices addresses the swamp and the water of the Zenne Valley. Historically, the swamp has been a place of non-productivity and, as such, a space for transcendence and spirituality. In Brussels, as in many other parts of Northern Europe, the swamp was a place of sacrifice, where people made offerings to gods, superior beings, and other worlds. But as the city evolved, the swamp has been forced to become a zone of productivity, inscribed in a capitalist thinking that reduces both life and death to a commodity.&nbsp;<\/p>\n\n\n\n<p>Today the Northern Quarter of Brussels is undergoing a process of intense transformation. The many construction sites in the neighbourhood are zones where the past and the future meet. These \u2018holes in the ground\u2019 could be seen as zones where the swamp emerges; whether we want it or not, the water and its complexity find their way through the cracks of our contemporary society. What are we to do with its presence? Are we going to ignore the swamp once more? What about getting into its waters?&nbsp;<\/p>\n\n\n\n<p>Over the course of one weekend, Swamp Sacrifices practises ways of getting closer to the swamp as a space of non-productivity and as a zone where the affective quality of the sacred can emerge. Far from proposing a single homogeneous ritual, the programme is rather an attempt to experience the sacrifice as a body, trying to relate to its different organs and phases as an entity in a continuous process. Taking place in the valley of the river Zenne at M33 and KANAL-Centre Pompidou, and uphill at radical_house, the programme is composed of workshops, a concert, and presentations. Swamp Sacrifices is an interruption of a system that considers the swamp as an \u2018annoying&#8217; body that needs to be made invisible. What happens if we approach the swamp as a non-productive and transcendental ecology?<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<h2><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">LOCATIONS:&nbsp;<\/mark><\/strong><\/h2>\n\n\n\n<p class=\"has-medium-font-size\"><strong>UPHILL<\/strong><br><strong>radical_house<\/strong> <br><br><strong>IN THE VALLEY&nbsp;<\/strong><br><strong>KANAL-Centre Pompidou&nbsp;<\/strong><br><strong>M33<\/strong> <\/p>\n\n\n\n<p>Find further information about the locations below. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<h2><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-green-cyan-color\">PROGRAMME:<\/mark><\/strong><\/h2>\n\n\n\n<p><strong>Swamp Sacrifices<\/strong><br><em>An immersion in the cracks, the non-productivity, and transcendence of the geological base of Brussels<\/em><\/p>\n\n\n\n<p>23 February uphill at radical_house&nbsp;<br>24 February down in the valley at M33 and Kanal-Centre Pompidou<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<h2><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Friday, 23 February: UPHILL<\/mark><\/strong><\/h2>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Location: radical_house<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>7:30&nbsp;pm: Unproductive Will \u2013 up on the hill&nbsp;&nbsp;<\/strong>&#8211; FULL!<\/li><\/ul>\n\n\n\n<p><strong>A performance-workshop by Jimena P\u00e9rez Salerno<\/strong> (<strong>Dur: 1h15 +\/-<\/strong>)<\/p>\n\n\n\n<p>Unproductive Will is a body-implicated research that suggests revisiting our relationship with the hegemonic notion of linear time and productive behaviour, considering them<strong> <\/strong>as collective colonial wounds that inform the paths we tread. In a playful way, a score will be shared for a \u2018never-ending\u2019 warm-up that seeks to create an experience of political awareness.&nbsp;<\/p>\n\n\n\n<p>For Swamp Sacrifices, two versions of this performance-workshop,<strong> <\/strong>presented uphill at radical_house on Friday the 23rd and in the valley at M33 on Saturday the 24th, will follow what these spaces whisper to us during the encounter.&nbsp;<\/p>\n\n\n\n<p>This performance-workshop is <strong>FULL<\/strong>. <\/p>\n\n\n\n<p><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Practical info about radical_house: Jimena\u2019s presentation will take place on the ground floor, which is accessible for wheelchair users with assistance provided by the team of Swamp Sacrifices.<\/mark><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<h2><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Saturday, 24 February: IN THE VALLEY<\/mark><\/strong><\/h2>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Location: M33<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>2&nbsp;pm: Le Pacte<\/strong> &#8211; WAITING LIST!<\/li><\/ul>\n\n\n\n<p><strong>An invitation by<\/strong> <strong>Azahara Ubera Biedma &amp; R\u00e9sidence Masui<\/strong> (<strong>Dur: 40 min +\/-<\/strong>)<\/p>\n\n\n\n<p>Le Pacte is a workshop performance for a collective ritual of care through the touch of hands. Azahara has been working with a group of elders from R\u00e9sidence Masui in the Northern Quarter of Brussels. Le Pacte is a ritual for a one-to-one connection between humans and the materials of the swamp. It addresses the role of mediators, those who have the ability to speak with other worlds.<\/p>\n\n\n\n<p>This performance-workshop has a limited audience capacity. All spots are gone for now, but you can register for the <strong>waiting list<\/strong> via <a href=\"https:\/\/forms.gle\/jxvvRY2Uei17qdSe9\" target=\"_blank\" rel=\"noreferrer noopener\">this link<\/a>. <\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>4&nbsp;pm: Unproductive Will \u2013 down in the valley<\/strong><\/li><\/ul>\n\n\n\n<p><strong>A performance-workshop by Jimena P\u00e9rez Salerno<\/strong> (<strong>Dur: 1h15 +\/-<\/strong>)<\/p>\n\n\n\n<p>Unproductive Will is a body-implicated research that suggests revisiting our relationship with the hegemonic notion of linear time and productive behaviour, considering them<strong> <\/strong>as collective colonial wounds that inform the paths we tread. In a playful way, a score will be shared for a \u2018never-ending\u2019 warm-up that seeks to create an experience of political awareness.&nbsp;<\/p>\n\n\n\n<p>For Swamp Sacrifices, two versions of this performance-workshop,<strong> <\/strong>presented uphill at radical_house on Friday the 23rd and in the valley at M33 on Saturday the 24th, will follow what these spaces whisper to us during the encounter.&nbsp;&nbsp;<\/p>\n\n\n\n<p>This performance-workshop has a limited audience capacity. Registration is required via <a href=\"https:\/\/forms.gle\/UkoBEpBEBhtKUmQK7\" target=\"_blank\" rel=\"noreferrer noopener\">this link<\/a>. You can find the address via the same link.<\/p>\n\n\n\n<p><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Practical info about M33: M33 is partly accessible for wheelchair users (the space is located on the ground floor and has a ramp at the door, but the toilet is not wheelchair accessible).<\/mark><\/p>\n\n\n\n<p><br>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013<\/p>\n\n\n\n<p><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Location: KANAL-Centre Pompidou. Entrance of the construction site of KANAL on Quai des P\u00e9niches, next to the canal<\/mark><\/strong> &#8211; For all contributions taking place at KANAL-Centre Pompidou (construction site + K1), please<strong> <\/strong>register for free via <a href=\"https:\/\/tickets.kanal.brussels\/nl\/buyingflow\/tickets\/20077\/43075\/\" target=\"_blank\" rel=\"noreferrer noopener\">this link<\/a>.<\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>6 pm: The Water Is Angry&nbsp;<\/strong><\/li><\/ul>\n\n\n\n<p><strong>A concert initiated by Paula Almiron &amp; Wouter De Raeve and created with and by Groupe GAM, with a song by Loucka Fiagan and performancy by D\u00e9sir\u00e9e 0100, Chorale Equinox de la Maison d\u2019enfants Reine Marie-Henriette, and Hoda Siahtiri &amp; Bear Bones, Lay Low&nbsp;<\/strong>(<strong>Dur: 35 min +\/-<\/strong>)<\/p>\n\n\n\n<p>Paula and Wouter invite several musicians to create a concert based on the resistance song \u2018Quartier Nord\u2019 from the 1970s. This song was composed by the Groupe d\u2019Action Musicale (GAM) together with inhabitants of the Northern Quarter, as a way to protest against the top-down planning of the Manhattan Plan and the resulting expropriations. They performed \u2018Quartier Nord\u2019 during demonstrations at construction sites in the Northern Quarter.<\/p>\n\n\n\n<p>Ever since, the neighbourhood has been an ongoing construction site. Today, the song brings us together once again; on the immense site of KANAL-Centre Pompidou.&nbsp;<\/p>\n\n\n\n<p>Singing to the swamp that is emerging temporarily, the song resonates with different types of grief, resilience, and dreams of the city. How will this art institution influence the neighbourhood? And how does it relate to the water on which it is constructed?<\/p>\n\n\n\n<p><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Practical info about KANAL: The concert will take place at the entrance of KANAL\u2019s construction site, which is situated on the Quai des P\u00e9niches, next to the canal. From Sainctelette Square, walk 80 metres along the canal heading north.&nbsp;<\/mark><\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">In case of bad weather, The Water Is Angry will take place at K1.\u00a0<\/mark><\/p>\n\n\n\n<p><br>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013<\/p>\n\n\n\n<p><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Location: K1, Temporary venue of KANAL-Centre Pompidou (crossing the canal. Av. du Port 1, 1000 Brussels)&nbsp;<\/mark><\/strong>&#8211; For all contributions taking place at KANAL-Centre Pompidou (construction site + K1), please<strong> <\/strong>register for free via <a href=\"https:\/\/tickets.kanal.brussels\/nl\/buyingflow\/tickets\/20077\/43075\/\" target=\"_blank\" rel=\"noreferrer noopener\">this link<\/a>.<\/p>\n\n\n\n<p>At K1, De Harmonie provides delicious soup with bread. Cash only.<\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>7\u20138&nbsp;pm:&nbsp;The Water We Care For<\/strong><\/li><\/ul>\n\n\n\n<p><strong>A video projection of <\/strong><strong>Water No Get Enemy: Counter-Cartographies of Diaspora by <\/strong><strong>Remi Kuforiji (dur.: 11 min.) followed by a conversation with architect Andr\u00e9 <\/strong><strong>Verstraeten<\/strong><strong> and Natural Contract Lab, moderated by Guy Gypens.<\/strong><\/p>\n\n\n\n<p>A museum that calls itself KANAL must have some relation to water. The name KANAL refers to and is built on the banks of the Brussels canal. But there is more. KANAL is also partly enclosed by the covered Zenne. As such the museum is surrounded by water and is being constructed in one of the most marshy stretches of the Zenne Valley. How does this come about? Andr\u00e9 Verstraeten, architect at KANAL, will explain its technical side.<\/p>\n\n\n\n<p>During the conversation,<em> <\/em>the challenges and consequences of building on a swampy soil are addressed. Are affective ways of relating to bodies of water part of such a process? Is the swamp\u2019s voice taken into account?&nbsp; In conversation with Natural Contract Lab, these questions will be addressed from the point of view of their practice.<\/p>\n\n\n\n<p>The conversation is initiated by a screening of Water No Get Enemy: Counter-Cartographies of Diaspora by Remi Kuforiji, which aims to develop a model of resistance to neocolonial practices of crude oil extraction and ecocide in the Niger Delta. By learning from indigenous epistemologies archived in Nigerian masquerade, the project proposes a new masquerade: a method of cartography that critiques harmful extractive practices by bringing multiple diasporic sites into dialogue through performance.<br><br><\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>8\u20139&nbsp;pm: Spatial Therapy<\/strong><\/li><\/ul>\n\n\n\n<p><strong>A project by Wouter De Raeve, performed by Stine Sampers and Martha Balthazar<br><\/strong>What are the traumas, fears, and ambitions of a space? And what are those of the spatial practitioner? Do they match? Is there something to work on? Or should they go their separate ways?<\/p>\n\n\n\n<p>During Spatial Therapy, a patient and a therapist discuss the patient\u2019s relation to the swamp and the valley of the Zenne River. <\/p>\n\n\n\n<p>Recently, Wouter has been creating a context for therapeutic spatial sessions with spatial practitioners in Brussels. As part of his search for how to share this process of transformation with others, Spatial Therapy is one of a series of public try-outs with an audience.<br><br><\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li><strong>9\u201310&nbsp;pm: <\/strong><strong>[Sunkboac]<\/strong><\/li><\/ul>\n\n\n\n<p><strong>A proposal by Simon Asencio<\/strong><strong><br><\/strong>[S\u00e6gbouc] is a research dedicated to sang narratives. [S\u00e6ngb\u00f5k] manifests as a collection of songs of circumstance shared in the form of a collective karaoke.<\/p>\n\n\n\n<p><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Practical info about K1: K1 is partly accessible for wheelchair users. The toilets and the first floor are only accessible by stairs.<\/mark><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><br><br><\/p>\n\n\n\n<h2><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-green-cyan-color\">LOCATIONS:&nbsp;<\/mark><\/strong><\/h2>\n\n\n\n<p class=\"has-medium-font-size\"><strong>UPHILL<\/strong><\/p>\n\n\n\n<p><strong>radical_house<\/strong> \u2013 radical_house is a long-term project exploring notions of ownership, privilege, privacy and the question of how \u2018just another house\u2019 can become a relational tool. It shelters people in need and offers residency-time to artists \u2013 bridging the educational field with the artistic one, and creating frames for collective research. radical_house is hosting part of the Swamp Sacrifice programme in exchange for being hosted by M33 with the project \u2018Disclosing Practices \u2026 through books\u2019.<\/p>\n\n\n\n<p>The physical building of radical_house was initially constructed in 1896, up the hill in Ixelles, by architect Henri Van Massenhove, who is known for his introduction of the Twin-Facade (today\u2019s Reihenhaus), proposing with it a tool for homogenisation. In the years 2016\u20132019, the house underwent a transformation, with architect Tania Gijsenberg, who turned it into a place for \u2018more than family\u2019.<\/p>\n\n\n\n<p>radical_house is currently co-curated by Simone Basani, Alice Ciresola and Heike Langsdorf.<\/p>\n\n\n\n<p><em><a href=\"http:\/\/www.open-frames.net\/radical_hope\/index.php?project=radical_house\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.open-frames.net\/radical_hope\/index.php?project=radical_house<\/a><\/em><br><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br><strong>IN THE VALLEY&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>KANAL-Centre Pompidou&nbsp;<\/strong>\u2013 The Brussels-Capital Region and the KANAL Foundation initiated the creation of a new interdisciplinary cultural centre, \u2018KANAL-Centre Pompidou\u2019, in the former Citro\u00ebn garage on the Place de l\u2019Yser in Brussels. KANAL-Centre Pompidou will become the largest cultural institution in Brussels, with more than 40,000&nbsp;m\u00b2 dedicated to artistic creation in all its forms. The museum is built on the banks of the Brussels canal and is also partly enclosed by the covered river Zenne.&nbsp;<\/p>\n\n\n\n<p><strong>M33<\/strong> \u2013 M33 is a space in the Northern Quarter of Brussels, located on the ground floor of the Harmonie building, which was constructed for people whose homes in the neighbourhood were expropriated in the \u201970s. At that time, the space was hosting gatherings of neighbours who were organising themselves in light of the precarious housing conditions and top-down transformation of the neighbourhood. After it had been empty for fourteen years, Paula and Wouter opened M33 as part of their project<em> <\/em>\u2018I Build My Language With Rocks\u2019. Since then, it has served as a space devoted to hosting and supporting local movements in the neighbourhood. The building, like many other housing units in the area, has severe humidity problems.&nbsp;<\/p>\n\n\n\n<h2><br><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-green-cyan-color\">WITH:<\/mark><\/strong><\/h2>\n\n\n\n<p><strong>Paula Almiron <\/strong>\u2013&nbsp;Paula Almiron is an Argentinian choreographer and dancer based in Brussels. Her practice unfolds at the intersection of choreography, fictional writing, and geology, focusing mostly on the diverse ways in which the social, the spiritual, and the geological worlds shape each other.<\/p>\n\n\n\n<p><strong>Simon Asencio<\/strong> \u2013 Simon Asencio works with performance settings that question the notions of liveness, stage, and audience. His current body of work, <em>Quire Whids<\/em>, addresses forms of obscurity in and through text, at the intersection between performance, literature studies, and critical pedagogy.<\/p>\n\n\n\n<p><strong>Bear Bones, Lay Low&nbsp;&nbsp;<\/strong>\u2013 Shortly after leaving Venezuela to settle in Belgium, Ernesto Gonz\u00e1lez started creating psychedelic electronic sounds under the BBLL moniker and has since been performing and releasing music in Europe and abroad. Dissonant abstractions, high-energy rhythmical workouts, bizarre melodic reveries, and minimalist\/maximalist drone practices all form part of the musical language that BBLL has been developing for well over a decade.<\/p>\n\n\n\n<p><strong>Chorale Equinox de la Maison d\u2019Enfants Reine Marie-Henriette<\/strong> \u2013 Maison d\u2019Enfants Reine Marie-Henriette is located in the Northern Quarter of Brussels and hosts around two hundred children per year. For this concert, the children of the Maison d\u2019Enfants Reine Marie-Henriette are joined by other children from the neighbourhood.&nbsp;<\/p>\n\n\n\n<p><strong>Wouter De Raeve<\/strong> \u2013 Wouter De Raeve is a Belgian artist based in Brussels. He has a background in landscape architecture and visual arts. He focuses on researching the role of the spatial practitioner within the force field of the parties involved in spatial development processes. For each project he develops a specific methodology. This results in publications, spatial installations, curatorial projects, drawings, and films.<\/p>\n\n\n\n<p><strong>Loucka Fiagan&nbsp;<\/strong>\u2013 Loucka Elie Fiagan\u2019s practice is located at the intersection of poetry, dance, music, and video. Loucka holds a bachelor\u2019s degree in sociology from Universit\u00e9 Saint-Louis and a master\u2019s from the Royal Academy of Bozarts. Under the name of<a href=\"https:\/\/www.wdky.net\/svdu\"> <\/a>SVDU, Loucka composes and performs abstract hip-hop music, a branch of rap which is strongly influenced by spoken word lyricism.&nbsp;<\/p>\n\n\n\n<p><strong>Guy Gypens<\/strong> \u2013 Guy Gypens is currently head of Live Arts at KANAL-Centre Pompidou in Brussels. He was the administrator at the Beursschouwburg in Brussels from 1987 to 1991. From 1991 until 2007 he was Anne Teresa De Keersmaeker and her dance company Rosas\u2019s general manager. Simultaneously, he worked for some years as manager for theatre company tg STAN\u2019s and contemporary music ensemble Ictus. From 1996 to 2000 he also directed the Springdance Festival in Utrecht. From 2007 to 2019 he was the general and artistic director of the Kaaitheater arts centre in Brussels.<\/p>\n\n\n\n<p><strong>Groupe GAM (Groupe d\u2019Action Musicale)<\/strong> \u2013 At the crossroads of folk and \u2018chanson \u00e0 texte\u2019, the group GAM accompanied dozens of social and ecological struggles in Belgium and abroad \u2013 in the 1970s and 1980s \u2013 at demonstrations, at the gates of factories on strike, and at militant meetings.<\/p>\n\n\n\n<p><strong>Remi Kuforiji<\/strong> \u2013 Remi Kuforiji is a spatial practitioner and interdisciplinary researcher whose creative practice explores the intersection of cartography, racial politics, and coloniality. Developing systems of critique that challenge territorial distinctions and neocolonial policies of resource extractivism, the artist\u2019s work focuses on wetland ecosystems, foregrounding Indigenous knowledge and ethnographic methodologies as modes of spatial practice.<\/p>\n\n\n\n<p><strong>Natural Contract Lab<\/strong> \u2013 Natural Contract Lab is a transdisciplinary artistic practice that aims at creating an active and sustained dialogue with bodies of water under deep ecological transformation. The artistic interventions are hybrid and unfold differently in respect to each river as dialogue, a collaboration with, and a gesture of care. With the aim of fabulating new forms of justice, Natural Contract Lab has co-created an artistic Protocol of Reciprocal Care weaving the practices of restorative justice, rights of rivers, environmental grief, sensory ecoscenography and water ancestry. Natural Contract Lab was founded in 2021 by Maria Lucia Cruz Correia.<\/p>\n\n\n\n<p><strong>Jimena P\u00e9rez Salerno<\/strong> \u2013 Jimena P\u00e9rez Salerno is an Argentinian artist based in Brussels and recently graduated from a.pass (advanced performance and scenography studies). She considers choreographic practice as a system of relations that enables modes of imagination, attention, and coexistence. Her work leans towards performative practices that contemplate the activation of an unexpected context to think together through the experience of an implicated body.&nbsp;<\/p>\n\n\n\n<p><strong>R\u00e9sidence Masui <\/strong>\u2013 R\u00e9sidence Masui is a nursing home located in the Northern Quarter. The residence accommodates up to fifty-five people and welcomes both persons who can be independent and people requiring care appropriate to their situation, regardless of their ideological, philosophical, or religious convictions.&nbsp;<\/p>\n\n\n\n<p><strong>Hoda Siahtiri&nbsp;<\/strong>\u2013 Hoda Siahtiri is an audiovisual and performance artist-researcher based in Brussels. She defines herself as a \u2018diseuse\u2019, who narrates and mediates voices that have been silenced in the past. Siatiri\u2019s work centres around grief, embodied memory, and ancestral vocal heritage. She conducts a PhD research programme at the University of Antwerp on the singing tradition of Bakhtiari women in the west of Iran.<\/p>\n\n\n\n<p><strong>Azahara Ubera Biedma&nbsp;<\/strong>\u2013 Azahara Ubera Biedma is a dance artist, choreographer, and independent researcher based in Brussels. Azahara\u2019s work relates with care and otherness; it\u2019s about creating collective experiences in hybrid spaces. Azahara activates care through different protocols and games \u2013 and dances for plants.<\/p>\n\n\n\n<p><strong>Andr\u00e9 Verstraeten<\/strong> \u2013 Andr\u00e9 Verstraeten is an architect who graduated from ENSAAV\u2013La Cambre in 1981. Since 2011, he has been working for the Brussels Region on the development of public architectural projects. Since 2015, Andr\u00e9 has been in charge of the Kanal project \u2013 Transformation of the former Citro\u00ebn Yser garage into a museum of modern and contemporary art.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since 2021, Paula Almiron and Wouter De Raeve have been working in the Northern Quarter<\/p>\n","protected":false},"author":5,"featured_media":11401,"template":"","nature":[19],"sub-category":[],"agenda-year":[237],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Swamp Sacrifices 24 &ndash; Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/en\/project\/swamp-sacrifices\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Swamp Sacrifices 24 &ndash; 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