{"id":2212,"date":"2021-10-05T16:24:53","date_gmt":"2021-10-05T14:24:53","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/project\/the-middle-ages\/"},"modified":"2021-11-23T11:01:38","modified_gmt":"2021-11-23T10:01:38","slug":"the-middle-ages","status":"publish","type":"project","link":"https:\/\/hiros.be\/en\/project\/the-middle-ages\/","title":{"rendered":"The Middle Ages"},"content":{"rendered":"<p>Through an (over-the-top) use of costumes and a rigorous investment  in movement, the performance attempts to occupy an ambiguous place and   time, where historical references overlap and fold over one another. The  performers&#8217; time-travel through the history of movement becomes  increasingly layered and abstracted, while the speed of the performance,  or rather, time in general, becomes warped. Actions and events are  compressed and stretched by the performers, lending an uncertainty to  the time which the performance speaks of and the timing in which it  occurs. Drawing on sources as far-fetched as time travel, historical  costume dramas and reenactments, and the theoretical physics of the  uncertainty of time itself, The Middle Ages asks, not what are we, but  when are we? When is now?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Through an (over-the-top) use of costumes and a rigorous investment in movement, the performance attempts<\/p>\n","protected":false},"author":2,"featured_media":2213,"template":"","nature":[],"sub-category":[],"agenda-year":[32],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Middle Ages &ndash; Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/en\/project\/the-middle-ages\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Middle Ages &ndash; Hiros\" \/>\n<meta property=\"og:description\" content=\"Through an (over-the-top) use of costumes and a rigorous investment in movement, the performance attempts\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hiros.be\/en\/project\/the-middle-ages\/\" \/>\n<meta property=\"og:site_name\" content=\"Hiros\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-23T10:01:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hiros.be\/wp-content\/uploads\/2021\/10\/imPossible_Futures_JL_001_11032015_kopie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/hiros.be\/en\/project\/the-middle-ages\/\",\"url\":\"https:\/\/hiros.be\/en\/project\/the-middle-ages\/\",\"name\":\"The Middle Ages &ndash; 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