{"id":2248,"date":"2021-10-05T16:25:32","date_gmt":"2021-10-05T14:25:32","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/project\/aliciacarmen\/"},"modified":"2021-11-22T21:07:47","modified_gmt":"2021-11-22T20:07:47","slug":"aliciacarmen","status":"publish","type":"project","link":"https:\/\/hiros.be\/en\/project\/aliciacarmen\/","title":{"rendered":"AliciaCarmen"},"content":{"rendered":"

Armed with hammers, the performers insist again and again on the action of hammering. But in what way and to what end? Absent another object, the gesture of hitting a hammer announces itself like a series of loud questions. What does this object we think we know so well do when it’s not being used to do the one thing we think its good for? Can a violent act impose the most subtle shifts in our logic?<\/p>\n","protected":false},"excerpt":{"rendered":"

Armed with hammers, the performers insist again and again on the action of hammering. But<\/p>\n","protected":false},"author":2,"featured_media":2249,"template":"","nature":[],"sub-category":[],"agenda-year":[29,32],"acf":[],"yoast_head":"\nAliciaCarmen – Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/en\/project\/aliciacarmen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AliciaCarmen – Hiros\" \/>\n<meta property=\"og:description\" content=\"Armed with hammers, the performers insist again and again on the action of hammering. 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