{"id":3182,"date":"2021-10-05T16:36:47","date_gmt":"2021-10-05T14:36:47","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/project\/spectacles-1-4\/"},"modified":"2021-11-12T17:14:27","modified_gmt":"2021-11-12T16:14:27","slug":"spectacles-1-4","status":"publish","type":"project","link":"https:\/\/hiros.be\/en\/project\/spectacles-1-4\/","title":{"rendered":"Spectacles #1 &#8211; #4"},"content":{"rendered":"<p>Following the critical line that considers the overcapitalization of language as its transformation into an oppressive tool, the research aims to restore and emancipate the relation between language and dance from a point of view of performativity. What are the limits of language to talk about aesthetic experience? What do we talk about when we talk about dance? How do we talk about something we don&#8217;t know how to talk about? Which language performs a choreography? How to move with(out) words?<\/p>\n<p>&gt; Order a copy of the publication <a href=\"https:\/\/www.hiros.be\/uploads\/Publication_Sara_Manente_Spectacles.pdf\" target=\"_blank\" rel=\"noopener\">SPECTACLES<\/a> that concludes the 4-year long project and reads as a series of choreographic objects performing at the limit of dance<\/p>\n<p>&gt; Check out this research on <a href=\"https:\/\/soundcloud.com\/sara-manente-587644151\" target=\"_blank\" rel=\"noopener\">SOUNDCLOUD<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following the critical line that considers the overcapitalization of language as its transformation into an<\/p>\n","protected":false},"author":2,"featured_media":3183,"template":"","nature":[],"sub-category":[],"agenda-year":[33,34,36],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Spectacles #1 - #4 &ndash; Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/en\/project\/spectacles-1-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spectacles #1 - #4 &ndash; Hiros\" \/>\n<meta property=\"og:description\" content=\"Following the critical line that considers the overcapitalization of language as its transformation into an\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hiros.be\/en\/project\/spectacles-1-4\/\" \/>\n<meta property=\"og:site_name\" content=\"Hiros\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-12T16:14:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hiros.be\/wp-content\/uploads\/2021\/10\/FINALSara_Manente_2X3D-1_cropped.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1654\" \/>\n\t<meta property=\"og:image:height\" content=\"1181\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/hiros.be\/en\/project\/spectacles-1-4\/\",\"url\":\"https:\/\/hiros.be\/en\/project\/spectacles-1-4\/\",\"name\":\"Spectacles #1 - #4 &ndash; 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