{"id":1938,"date":"2021-10-05T16:16:23","date_gmt":"2021-10-05T14:16:23","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/artist\/sara-manente-2\/"},"modified":"2024-05-14T11:28:11","modified_gmt":"2024-05-14T09:28:11","slug":"sara-manente-2","status":"publish","type":"artist","link":"https:\/\/hiros.be\/fr\/artistes\/sara-manente-2\/","title":{"rendered":"Sara Manente"},"content":{"rendered":"
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N\u00e9e en 1978 pr\u00e8s de Venise, Sara Manente vit et travaille \u00e0 Bruxelles.<\/span><\/p>\n<\/div>\n

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Sara Manente travaille en tant que chor\u00e9graphe, interpr\u00e8te, chercheuse et mentor. Ses \u0153uvres portent sur l’esth\u00e9tique et l’\u00e9thique, \u00e0 l’intersection de l’art vivant et des cultures vivantes, notamment la technologie de la fermentation, la chim\u00e9risation et l'(auto-)immunit\u00e9.<\/span><\/p>\n

\u00ab\u00a0Mes \u0153uvres se caract\u00e9risent bien souvent par le souci de dilater l\u2019instant, avant la d\u00e9nomination ou la cat\u00e9gorisation. Une sorte de suspension au sein d\u2019un \u00e9tat d\u2019affects, de paradoxes et de possibles. Au cours de cette suspension, quelque chose advient au corps.\u00a0\u00bb<\/span><\/p>\n<\/div>\n

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Depuis sa plus tendre enfance, Sara Manente \u00e9tudie le ballet, puis la danse contemporaine, en Italie et \u00e0 l’\u00e9tranger. En 2003, elle obtient un dipl\u00f4me en sciences de communication \u00e0 l’universit\u00e9 de Bologne, \u00e0 la suite d\u2019une th\u00e8se interdisciplinaire relative \u00e0 la s\u00e9miotique et \u00e0 l’histoire de la danse. Au terme d\u2019une ann\u00e9e en tant que chercheuse ind\u00e9pendante \u00e0 l’universit\u00e9 d’Anvers, elle se tourne vers ses propres \u0153uvres artistiques.<\/span><\/p>\n<\/div>\n

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En 2008, elle ach\u00e8ve le programme post-master en arts du spectacle \u00e0 l’a.pass (anciennement l\u2019APT) ; 10 ans plus tard, elle int\u00e8gre l’a.pass. Research Center\/Cycle 1. Int\u00e9ress\u00e9e par l’id\u00e9e de la \u00ab\u00a0publication performative\u00a0\u00bb, ainsi que par la relation dynamique entre l’interpr\u00e8te, l’\u0153uvre et le public, ses projets sont d\u00e9velopp\u00e9s gr\u00e2ce \u00e0 une recherche hybride. Ainsi, ceux-ci se d\u00e9ploient sous plusieurs formes : des pi\u00e8ces chor\u00e9graphiques, des films, des textes, des interviews, des \u00e9v\u00e9nements organis\u00e9s sous la houlette d\u2019un curateur, des ateliers, des exp\u00e9riences t\u00e9l\u00e9pathiques, etc.<\/span><\/p>\n<\/div>\n

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Les deux premi\u00e8res pi\u00e8ces de danse de Sara Manente s\u2019intitulent <\/span>Lawaai means Hawaai<\/span><\/em> (2009) et <\/span>Faire un four<\/span><\/em> (2011), suivies d’un projet de recherche plus long ax\u00e9 sur \u00ab\u00a0l’ekphrasis\u00a0\u00bb et la relation critique entre la danse et le langage : <\/span>Spectacles <\/span><\/em>(2016-18, des interviews, des livres et un film 3D en collaboration avec Christophe Albertijn). De 2012 \u00e0 2019, elle travaille avec Marcos Simoes sur des projets qui s\u2019articulent autour des notions de collaboration et de relation avec le public. Ils ont ainsi cr\u00e9\u00e9 des spectacles, des vid\u00e9os et des ateliers inspir\u00e9s par des exp\u00e9riences paranormales : <\/span>This place, x: I liked B better\/ y: I am 29 too, Tele Visions<\/em> et Lava<\/em>.<\/span><\/p>\n<\/div>\n

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En 2019, elle a re\u00e7u une bourse des Autorit\u00e9s flamandes pour le projet Wicked technology\/Wild fermentation<\/i>. En associant les pratiques de fermentation, l\u2019\u00e9co-f\u00e9minisme et la recherche artistique, elle a ainsi d\u00e9velopp\u00e9 des techniques qui remettent en question la pens\u00e9e et la perception d\u2019unit\u00e9 dans les arts vivants. En 2020, elle rend la recherche publique en \u00e9ditant ROT\/Issue Zero<\/i>, un magazine qui devient le catalogue d’un \u00e9v\u00e9nement appel\u00e9 ROT GARDEN<\/i>. En 2021\/2022, en collaboration avec le Far Nyon, elle organise \u00ab\u00a0Technologie de champignons\u00a0\u00bb, un atelier pratique destin\u00e9 \u00e0 se familiariser avec le monde des champignons. Apr\u00e8s avoir exp\u00e9riment\u00e9 diff\u00e9rents gestes performatifs sous le titre MOLDING<\/i>, et au terme de 6 mois en r\u00e9sidence au sein du workspacebrussels, elle cr\u00e9e en 2022 MOLD<\/i>, une performance chor\u00e9graphique pour trois danseurs, mais \u00e9galement des sculptures de myc\u00e9lium aux centres BUDA (Courtrai), Far (Nyon), Serralves et au Kaaitheater.<\/span><\/p>\n<\/div>\n

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Par le biais de son int\u00e9r\u00eat pour la p\u00e9dagogie dans le domaine des arts, Sara Manente a \u00e9galement travaill\u00e9 en qualit\u00e9 de mentor et de conservatrice \u00e0 l\u2019a.pass. En outre, elle a partag\u00e9 sa pratique et ses comp\u00e9tences au sein de diverses institutions, telles que\u00a0: KASK, ISAC, ZUYD, DOCH et EXERCE.<\/span><\/p>\n<\/div>\n

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Par ailleurs, Sara Manente a d\u00e9j\u00e0 travaill\u00e9 et jou\u00e9 \u00e9galement avec Juan Dominguez, Kate McIntosh, Aitana Cordero Vico, Marcos Simoes, Jaime Llopis, Nada Gambier, Ga\u00ebtan Bulourde, Andrea Maurer, Beg\u00fcm Erciyas et Beatrice Balcou.<\/span><\/p>\n<\/div>\n

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Actuellement, elle se consacre \u00e0 de nouveaux programmes appel\u00e9s ROT GARDEN<\/i>, et propose MOLD <\/i>dans diff\u00e9rents contextes.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

N\u00e9e en 1978 pr\u00e8s de Venise, Sara Manente vit et travaille \u00e0 Bruxelles. Sara Manente<\/p>\n","protected":false},"author":2,"featured_media":11604,"template":"","acf":[],"yoast_head":"\nSara Manente – Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/fr\/artistes\/sara-manente-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sara Manente – Hiros\" \/>\n<meta property=\"og:description\" content=\"N\u00e9e en 1978 pr\u00e8s de Venise, Sara Manente vit et travaille \u00e0 Bruxelles. 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