{"id":2084,"date":"2021-10-05T16:18:02","date_gmt":"2021-10-05T14:18:02","guid":{"rendered":"http:\/\/hiros.alwaysdata.net\/artist\/lisbeth-gruwez-voetvolk-2\/"},"modified":"2021-10-05T16:18:02","modified_gmt":"2021-10-05T14:18:02","slug":"lisbeth-gruwez-voetvolk-2","status":"publish","type":"artist","link":"https:\/\/hiros.be\/fr\/artistes\/lisbeth-gruwez-voetvolk-2\/","title":{"rendered":"Lisbeth Gruwez \/ Voetvolk"},"content":{"rendered":"
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\u00b01977, vit et travaille \u00e0 Bruxelles
Lisbeth Gruwez <\/strong>a \u00e9tudi\u00e9 la danse contemporaine \u00e0 PARTS de 1997 \u00e0 1998. Elle a d\u00e9but\u00e9 sa carri\u00e8re professionnelle chez Ultima Vez, dans le projet Pasolini Of Heaven and Hell <\/em> and Away From Sleeping Dogs <\/em> avec Iztock Kova. Depuis 1999, Lisbeth Gruwez a travaill\u00e9 avec Jan Fabre, dans As Long As the World Needs a Warrior’s Soul <\/em>, suivie de Je suis sang <\/em>, la production de la Cour d’honneur d’Avignon. En 2001, elle a jou\u00e9 dans le film de Pierre Coulibeuf Les Guerriers de la beaut\u00e9 <\/em>, un film sur le travail de Jan Fabre. En 2002, elle a jou\u00e9 dans Images of Affection <\/em> de Needcompany\/Jan Lauwers. Un an plus tard, Lisbeth Gruwez a travaill\u00e9 avec Grace Ellen Barkey dans Few Things <\/em> et Cry Me a River <\/em> de Riina Saastamoinen. Toujours en 2003, elle a dans\u00e9 dans See-Sick <\/em>, une Polydans production, et Foi <\/em>, qui est une production de Les Ballets C. De la B. \/ Sidi Larbi. En 2004, Jan Fabre a cr\u00e9\u00e9 un solo pour Lisbeth Gruwez: Quando l’uomo principale \u00e8 una donna <\/em>. Elle a \u00e9galement particip\u00e9 \u00e0 l’installation DON’T <\/em>, avec Peter Verhelst. <\/p>\n

Maarten Van Cauwenberghe <\/strong>\u00b01976
En 1999, Maarten a quitt\u00e9 le Jazz Studio d’Anvers pour commencer \u00e0 jouer – en tant que musicien et interpr\u00e8te – pour Jan Fabre. Leur premier projet commun \u00e9tait As Long As the World Needs a Warrior’s Soul <\/em>. En 2001, Maarten Van Cauwenberghe a compos\u00e9 la musique de Je Suis Sang <\/em>, une production de la Cour d’honneur d’Avignon. En 2004, il \u00e9crit la musique pour le solo de danse Quando L’Uomo Principale \u00e8 una Donna <\/em> avec Lisbeth Gruwez. Outre son travail avec Jan Fabre, Maarten Van Cauwenberghe a aussi travaill\u00e9 avec les danseurs de Rosas, Julia Sugranyes – dans la performance Recomposition 2 <\/em> – et il a compos\u00e9 la musique pour le spectacle de danse de Sens Acte Sans Label Cedana (C\u00e9dric Charon et Annabelle Chambon). En 2003, il cr\u00e9e la musique de la production Polydans See-Sick <\/em>. En 2006, Van Cauwenberghe et la danseuse\/chor\u00e9graphe Lisbeth Gruwez fondent l’organisme \u00e0 but non lucratif Voetvolk asbl dans le but de produire ses propres spectacles de danse. Leur premi\u00e8re production, Forever Overhead <\/em>, est cr\u00e9\u00e9e en janvier 2007.<\/p>\n<\/p><\/div>\n

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www.voetvolk.be<\/a> <\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00b01977, vit et travaille \u00e0 BruxellesLisbeth Gruwez a \u00e9tudi\u00e9 la danse contemporaine \u00e0 PARTS de<\/p>\n","protected":false},"author":2,"featured_media":2080,"template":"","acf":[],"yoast_head":"\nLisbeth Gruwez \/ Voetvolk – Hiros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hiros.be\/fr\/artistes\/lisbeth-gruwez-voetvolk-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lisbeth Gruwez \/ Voetvolk – Hiros\" \/>\n<meta property=\"og:description\" content=\"\u00b01977, vit et travaille \u00e0 BruxellesLisbeth Gruwez a \u00e9tudi\u00e9 la danse contemporaine \u00e0 PARTS de\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hiros.be\/fr\/artistes\/lisbeth-gruwez-voetvolk-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Hiros\" \/>\n<meta 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