{"id":8755,"date":"2021-10-05T16:37:53","date_gmt":"2021-10-05T14:37:53","guid":{"rendered":"https:\/\/hiros.alwaysdata.net\/project\/tactile-quartets-2-2\/"},"modified":"2021-11-03T09:58:19","modified_gmt":"2021-11-03T08:58:19","slug":"tactile-quartets-2","status":"publish","type":"project","link":"https:\/\/hiros.be\/nl\/project\/tactile-quartets-2\/","title":{"rendered":"Tactile Quartet(s)"},"content":{"rendered":"

In Tactile Quartet(s)<\/i> bespeelt het strijkkwartet afwisselend zijn instrumenten en heeft het tactiele ontmoetingen van man tot man met leden van het publiek, die een ‘fysieke playback’ cre\u00ebren. Wat we horen, is muziek. Wat we zien, is choreografie. Maar wat als we het strijkkwartet nu eens ernstig nemen als een dans … en meedansen?<\/p>\n

Vier dansers brengen het muzikale en het tactiele samen in een choreografie die schommelt tussen wat we voelen, zien, horen en als esthetisch waarnemen. De bevelen, bewegingen en communicatiekanalen die tot muzikaliteit aansporen, worden gerefracteerd door de synesthetische lens van Vera Tussings choreografische benadering. De muzikanten en dansers wisselen akoestisch en kinesthetisch materiaal uit en nodigen het publiek uit om deel te nemen aan hun kaleidoscopische partituur. Wanneer de elliptische banen van publiek, danser en muzikant elkaar kruisen, versmelten en splitsen de zintuigen. In het midden van deze haarfijne constellatie, wordt u uitgenodigd om ons een hand \u2013 of een arm \u2013 te geven.<\/p>\n","protected":false},"excerpt":{"rendered":"

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