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Soffici Immagini is a video installation in diptych. More than twenty women appear consecutively, every one of them revealing another woman in the mirror she’s holding. Women of all ages, all forms. All unique, but all women. The difference in the similar.

Popsongs, ou comment chanter uniquement avec le corps. Un solo construit comme un concert, de véritables « chansons dansées » exécutées en silence, une exploration corporelle de l’idée de musicalité. Il y a la chanson romantique, la chanson rythmique, la chanson rock ‘n roll, la chanson minimaliste… Dans une recherche d’analogies entre la musique et le mouvement la chorégraphe essaie de traduire dynamiques, rythmes, mélodies, tonalités…

Durée du spectacle: 28 minutes

Popsongs, ou comment chanter uniquement avec le corps. Un solo construit comme un concert, de véritables « chansons dansées » exécutées en silence, une exploration corporelle de l’idée de musicalité. Il y a la chanson romantique, la chanson rythmique, la chanson rock ‘n roll, la chanson minimaliste… Dans une recherche d’analogies entre la musique et le mouvement la chorégraphe essaie de traduire dynamiques, rythmes, mélodies, tonalités…

Durée du spectacle: 28 minutes

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

Soffici Immagini is a video installation in diptych. More than twenty women appear consecutively, every one of them revealing another woman in the mirror she’s holding. Women of all ages, all forms. All unique, but all women. The difference in the similar.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

Soffici Immagini is a video installation in diptych. More than twenty women appear consecutively, every one of them revealing another woman in the mirror she’s holding. Women of all ages, all forms. All unique, but all women. The difference in the similar.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

LOOM is a choreography for four female performers.
And/ or a video installation.

LOOM questions the appearing/disappearing of the body and introduces a gradual revealing of the body; it’s a move from a barely visible shadow that is occupying the whole performance stage thanks to motion.

Duration of the performance: 30 minutes And/ or a presentation in loops of the video installation. "LOOM" shows three large 'boxes' made of hundreds of meters of elastic stretched out over metallic structures, within which the dancers are imprisoned. A faint light emanates from each of them. Slowly the spectator can see shadows apperaring. First the shadows are fragmented, almost abstract; it is female bodies leaning naked behind the screens that become increasingly visible as the light surrounding them is increasing. The moves of...

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

LOOM is a choreography for four female performers.
And/ or a video installation.

LOOM questions the appearing/disappearing of the body and introduces a gradual revealing of the body; it’s a move from a barely visible shadow that is occupying the whole performance stage thanks to motion.

Duration of the performance: 30 minutes And/ or a presentation in loops of the video installation. "LOOM" shows three large 'boxes' made of hundreds of meters of elastic stretched out over metallic structures, within which the dancers are imprisoned. A faint light emanates from each of them. Slowly the spectator can see shadows apperaring. First the shadows are fragmented, almost abstract; it is female bodies leaning naked behind the screens that become increasingly visible as the light surrounding them is increasing. The moves of...

LOOM is a choreography for four female performers.
And/ or a video installation.

LOOM questions the appearing/disappearing of the body and introduces a gradual revealing of the body; it’s a move from a barely visible shadow that is occupying the whole performance stage thanks to motion.

Duration of the performance: 30 minutes And/ or a presentation in loops of the video installation. "LOOM" shows three large 'boxes' made of hundreds of meters of elastic stretched out over metallic structures, within which the dancers are imprisoned. A faint light emanates from each of them. Slowly the spectator can see shadows apperaring. First the shadows are fragmented, almost abstract; it is female bodies leaning naked behind the screens that become increasingly visible as the light surrounding them is increasing. The moves of...

Popsongs, ou comment chanter uniquement avec le corps. Un solo construit comme un concert, de véritables « chansons dansées » exécutées en silence, une exploration corporelle de l’idée de musicalité. Il y a la chanson romantique, la chanson rythmique, la chanson rock ‘n roll, la chanson minimaliste… Dans une recherche d’analogies entre la musique et le mouvement la chorégraphe essaie de traduire dynamiques, rythmes, mélodies, tonalités…

Durée du spectacle: 28 minutes

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

In All Natural the stage is home to several odd-bods from the fringes. Armed with excuses, promises and outbursts, they leak and slide into each other. Hoping for a pure and un-corrupted state, they search for limits on behaving with an audience. McIntosh began All Natural by picking at the myth of naturalness and our craving for it - in everything from personality to food. As if our instincts, however deeply buried and warped, might be trusted to lead us out of trouble. 'I have an instinct for failure, I can smell it coming. It's a natural...

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

In All Natural the stage is home to several odd-bods from the fringes. Armed with excuses, promises and outbursts, they leak and slide into each other. Hoping for a pure and un-corrupted state, they search for limits on behaving with an audience. McIntosh began All Natural by picking at the myth of naturalness and our craving for it - in everything from personality to food. As if our instincts, however deeply buried and warped, might be trusted to lead us out of trouble. 'I have an instinct for failure, I can smell it coming. It's a natural...

Poni

The bacterial tour

Klink & BankRekjavik, Iceland

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

Melanie Munt

Pop Songs

Festival MaïsBrussels, Belgium

Popsongs, ou comment chanter uniquement avec le corps. Un solo construit comme un concert, de véritables « chansons dansées » exécutées en silence, une exploration corporelle de l’idée de musicalité. Il y a la chanson romantique, la chanson rythmique, la chanson rock ‘n roll, la chanson minimaliste… Dans une recherche d’analogies entre la musique et le mouvement la chorégraphe essaie de traduire dynamiques, rythmes, mélodies, tonalités…

Durée du spectacle: 28 minutes

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.