The romantic music of various Spanish-speaking artists as far back as the 1960s is popular again… now these songs fuel the nightlife of Costa Rica in the early 2010’s. Plancha, as the genre was later called, revived the nostalgic music that our mothers and grandmothers listened to while doing housework (música de plancha literally translates into ‘music for ironing clothes’). The songs are full of theatricality, often celebrating the fantasy and suffering of romantic love, closely linked to telenovela culture and to the

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These spillovers precede and follow the creation of Sara Manente’s dance performance MOLD. Coming from the process of a dance piece performed in the theater, these gestures reflect on the possibility of contamination in other contexts: spilling over the interstices of a festival palimpsest and architecture, the walls of a museum or an institutional timezone. An exhibition of ruins composting into fertile materials, ferments digesting, mycelium networking and choreographies overflowing.

You can read more about Sara Manente’s dance performance MOLD ...

Once a month during openoffice we throw open the doors or our workings, each time at a different cultural location in Brussels. Everyone who is looking for advice on projects in the performing arts, or who would like to exchange experiences, is welcome. We discuss specific themes during an information session/workshop and then organise a moment for all possible questions. Keep an eye on our agenda or facebook page for new dates!

With the support of ...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

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Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Once a month during openoffice we throw open the doors or our workings, each time at a different cultural location in Brussels. Everyone who is looking for advice on projects in the performing arts, or who would like to exchange experiences, is welcome. We discuss specific themes during an information session/workshop and then organise a moment for all possible questions. Keep an eye on our agenda or facebook page for new dates!

With the support of ...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Our sense of touch is interwoven with desire, fear, disgust, comfort, pleasure, danger. Tactility is by definition a complex phenomenon, defining our relations with each other and the world – but so often going unexamined. Because it’s so loaded with meaning, touch requires careful negotiation. And because everyone comes with their own history of touch – which can include training, practice, memory, and trauma – the ‘before’ of touch needs to be always lived afresh, carefully considered and reconsidered with each new encounter.

In a show consisting of

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Once a month during openoffice we throw open the doors or our workings, each time at a different cultural location in Brussels. Everyone who is looking for advice on projects in the performing arts, or who would like to exchange experiences, is welcome. We discuss specific themes during an information session/workshop and then organise a moment for all possible questions. Keep an eye on our agenda or facebook page for new dates!

With the support of ...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Basically is an ongoing live project by Nikima Jagudajev. It is a process based body of work that transforms with each iteration. It has taken the form of a two day durational performance, a recording studio, a residency, a schoolyard, a picnic on the beach and a six month exhibition. With each invitation, not only does the context change but so does the content as new collaborators with new input are invited into the process. Jagudajev is interested in social forms; social relations

...

Basically is an ongoing live project by Nikima Jagudajev. It is a process based body of work that transforms with each iteration. It has taken the form of a two day durational performance, a recording studio, a residency, a schoolyard, a picnic on the beach and a six month exhibition. With each invitation, not only does the context change but so does the content as new collaborators with new input are invited into the process. Jagudajev is interested in social forms; social relations

...

In this new creation, Gaëtan Rusquet seeks to question the way we situate ourselves in relation to the other, to the group and our milieu. En reconnaissance is an attempt to ritualise our desires for connection and detachment. It investigates our dynamics of participation and rejection by proposing a space where the political and the intimate meet.

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In this new creation, Gaëtan Rusquet seeks to question the way we situate ourselves in relation to the other, to the group and our milieu. En reconnaissance is an attempt to ritualise our desires for connection and detachment. It investigates our dynamics of participation and rejection by proposing a space where the political and the intimate meet.

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As always in the work of Myriam Van Imschoot all the sounds in newpolyphonies rewired are made by the bare human body and voice without technical added effect, as surprising as it might be. This time the singers attune their polyphony to the traffic of airplanes and the drum of insects beyond points of recognition of what is individual and what is collective, human or machine.

The sound installation of Myriam Van Imschoot and HYOID voices, developed with WALPURGIS, is based on the recordings

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Once a month during openoffice we throw open the doors or our workings, each time at a different cultural location in Brussels. Everyone who is looking for advice on projects in the performing arts, or who would like to exchange experiences, is welcome. We discuss specific themes during an information session/workshop and then organise a moment for all possible questions. Keep an eye on our agenda or facebook page for new dates!

With the support of ...

Against the backdrop of the Cold War’s bi-polar tensions during the 1960s and 1970s, militants from all the continents convened in Algiers and witnessed a forging of a ‘third way’, other possible futures. The Algerian capital hosted everyone from national liberation movements, political exiles, rebels and disillusioned Westerners. Drawing on the liberation movements’ broadcasts aired by the Algerian national broadcasting company (RTA), the polyglot and polyphonic productions echo Yasmina Reggad’s journey through the worlds of ideas and ideals of that transformative period.

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Once a month during openoffice we throw open the doors or our workings, each time at a different cultural location in Brussels. Everyone who is looking for advice on projects in the performing arts, or who would like to exchange experiences, is welcome. We discuss specific themes during an information session/workshop and then organise a moment for all possible questions. Keep an eye on our agenda or facebook page for new dates!

With the support of ...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

The romantic music of various Spanish-speaking artists as far back as the 1960s is popular again… now these songs fuel the nightlife of Costa Rica in the early 2010’s. Plancha, as the genre was later called, revived the nostalgic music that our mothers and grandmothers listened to while doing housework (música de plancha literally translates into ‘music for ironing clothes’). The songs are full of theatricality, often celebrating the fantasy and suffering of romantic love, closely linked to telenovela culture and to the

...

For the past seven years of her life, Vanhee was an intruder. Unasked and uninvited, she walked into meeting-rooms, and started to speak about how we live together as human beings, about society as a co-creation by every-one. One could see her intervention as a bomb or as a gift. People were surprised, shocked, moved, angry. With her guerilla-speech, she tried to transform any meeting into a political moment. She surprised more than 10.000 people this way, interrupting their daily routines by asking

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In this new creation, Gaëtan Rusquet seeks to question the way we situate ourselves in relation to the other, to the group and our milieu. En reconnaissance is an attempt to ritualise our desires for connection and detachment. It investigates our dynamics of participation and rejection by proposing a space where the political and the intimate meet.

...

Basically is an ongoing live project by Nikima Jagudajev. It is a process based body of work that transforms with each iteration. It has taken the form of a two day durational performance, a recording studio, a residency, a schoolyard, a picnic on the beach and a six month exhibition. With each invitation, not only does the context change but so does the content as new collaborators with new input are invited into the process. Jagudajev is interested in social forms; social relations

...

After premiering the first version of The Palm of Your Hand 2015, we are now touring The Palm of Your Hand # 2 – a re-creation commissioned by the Human Body Project. This re-creation reimagines the piece by working with a group of blind and partially sighted people to help make the work communicate beyond sight.

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Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but

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Basically is an ongoing live project by Nikima Jagudajev. It is a process based body of work that transforms with each iteration. It has taken the form of a two day durational performance, a recording studio, a residency, a schoolyard, a picnic on the beach and a six month exhibition. With each invitation, not only does the context change but so does the content as new collaborators with new input are invited into the process. Jagudajev is interested in social forms; social relations

...

In The River and The Devil, addressing both the material and spiritual desertification of the river Desaguadero, Paula Almirón invites the audience into a choreographic reading space in which a circulation of words, sounds, gestures and objects embodies and imagines the ruins of this disappearing body of water. What kind of (life) forms can emerge in a ruin of salt? How can we collectively imagine the living world in an ongoing changing environment?  

The River and The Devil is a semi-fictional choreography in which

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Lecture-performance (60 min, English spoken)

A voice is as singular as a fingerprint. When we scream, we catapult ourselves inside out, revealing that dimension of ourselves in between body and mind, maybe closest to our soul. “To open our mouth and let out sounds from a hole in the middle of our face”, revealing both our strongest power and deepest vulnerability.

In collected screams, Sarah Vanhee shares different uttered and non-uttered screams from scientific, philosophical, mythological, artistic and political backgrounds, moving from socially accepted, contextualized

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Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Conceived as a series of short, interconnected pieces, this choreographic soirée (evening) is a pas de deux for three, with the dancers passing the floor to each other to compose different duos.

Underpinned by a process of mapping out the kinaesthetic possibilities of this practice, Soirée d’études deconstructs the lexicon of house dance to better play with it. From its characteristic groove to the various forms of footwork, the different aspects of this style are successively examined, brought into light

...

Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but

...

In this new creation, Gaëtan Rusquet seeks to question the way we situate ourselves in relation to the other, to the group and our milieu. En reconnaissance is an attempt to ritualise our desires for connection and detachment. It investigates our dynamics of participation and rejection by proposing a space where the political and the intimate meet.

...

I like to think (and
    the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
    (right now please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
    (it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving

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What happens when we take the movements of a string quartet seriously as a choreography, and dance along? The four musicians play passages from canonical works by Franz Schubert and Florence Price, as well as contemporary works by Georg Friedrich Haas, Michael Picknett, and Caroline Shaw. As they play, the musicians engage in one-on-one tactile encounters with the audience, creating physical interaction. Everything arises from touch – a bow on a string, an arm on a shoulder, an acoustic sensation on your skin.

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What happens when we take the movements of a string quartet seriously as a choreography, and dance along? The four musicians play passages from canonical works by Franz Schubert and Florence Price, as well as contemporary works by Georg Friedrich Haas, Michael Picknett, and Caroline Shaw. As they play, the musicians engage in one-on-one tactile encounters with the audience, creating physical interaction. Everything arises from touch – a bow on a string, an arm on a shoulder, an acoustic sensation on your skin.

...