Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the
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Filter by artist
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the
En reconnaissance merges choreography and sound in a performance that creates a space to experiment with what separates, links and moves us. Giving room to what is present, to every thing that is present without establishing a hierarchy between what is considered human and non-human. En reconnaissance examines the matter and what animates it, and tries to make perceptible the links between the visible and the invisible.
In this new creation, Gaëtan Rusquet seeks to question the way we situate ourselves in relation to the other, to the group and our milieu. En reconnaissance is an attempt to ritualise our desires for connection and detachment. It investigates our dynamics of participation and rejection by proposing a space where the political and the intimate meet.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
An immersion in the cracks, the non-productivity, and transcendence of the geological base of Brussels
Since 2021, Paula Almiron and Wouter De Raeve have been working in the Northern Quarter in Brussels on the choreographic research project I Build My Language With Rocks; a critical reading of top-down movements (large-scale urban plans), with a focus on the local movements in the neighbourhood. The notion of the swamp – one of the first forms of life buried under the asphalt in order for the city to be written – functions as
Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
Our sense of touch is interwoven with desire, fear, disgust, comfort, pleasure, danger. Tactility is by definition a complex phenomenon, defining our relations with each other and the world – but so often going unexamined. Because it’s so loaded with meaning, touch requires careful negotiation. And because everyone comes with their own history of touch – which can include training, practice, memory, and trauma – the ‘before’ of touch needs to be always lived afresh, carefully considered and reconsidered with each new encounter.
In a show consisting of
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.
What happens when we take the movements of a string quartet seriously as a choreography, and dance along? The four musicians play passages from canonical works by Franz Schubert and Florence Price, as well as contemporary works by Georg Friedrich Haas, Michael Picknett, and Caroline Shaw. As they play, the musicians engage in one-on-one tactile encounters with the audience, creating physical interaction. Everything arises from touch – a bow on a string, an arm on a shoulder, an acoustic sensation on your skin.
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
This is the world that Flesh can’t can’ t not’t ‘tis flesh h… invokes, a multimedia performance that mixes live music, projection of text, dance and sculpture. Two burning bodies guide us through the landscapes of a foreign world, to explore the bittersweet ventures of the Global South-Global North migration, and to trace part of the queer histories found in the Central American region.
Listen to Mario’s playlist here!
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
This is the world that Flesh can’t can’ t not’t ‘tis flesh h… invokes, a multimedia performance that mixes live music, projection of text, dance and sculpture. Two burning bodies guide us through the landscapes of a foreign world, to explore the bittersweet ventures of the Global South-Global North migration, and to trace part of the queer histories found in the Central American region.
Listen to Mario’s playlist here!
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
Our sense of touch is interwoven with desire, fear, disgust, comfort, pleasure, danger. Tactility is by definition a complex phenomenon, defining our relations with each other and the world – but so often going unexamined. Because it’s so loaded with meaning, touch requires careful negotiation. And because everyone comes with their own history of touch – which can include training, practice, memory, and trauma – the ‘before’ of touch needs to be always lived afresh, carefully considered and reconsidered with each new encounter.
In a show consisting of
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but
Ezra Veldhuis & Bosse Provoost
All Watched over by Machines of Loving Grace
I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.
I like to think
(right now please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.
I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving
I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.
I like to think
(right now please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.
I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but
Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the
In Something is Approaching, Carolina Mendonça investigates the notion of violence through writing and muscular rumination. What type of stories are stuck to our muscles that can be released by a bullet? Can our muscles dream of less violent narratives in a world that is collapsing?
After her previous work Zones of Resplendence focused on the imagination of an army that fights against sexual violence, some questions have become unavoidable and some practices seem to require more time. In Something is Approaching, Carolina and her team continue to speculate how choreography and body practices can be a form of self-defense, this time investigating the violence that is embedded in the social structure of the family.
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Hikikomori is the Japanese term that describes a social pathology that leads some people, especially young people from adolescence onward, to refuse contact with the outside world and thus remain, in their room, within the walls of their home. The phenomenon of social withdrawal has now spread throughout the Western world, with a worryingly growing number of young people locking themselves in their rooms. An absence of contact whose effects we have all experienced during the lockdowns of the past few years, but
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
PUBLIC PRESENTATION
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
STILL HERE – An alliance of care for the SZenne river is a new study case of Natural Contract Lab (NCL). A long-term artistic commitment between 2023-26 will enable the growing of a systemic relationship with the river’s ecosystem and local communities to weave an alliance of SZenne guardians with the ambition to co- create a Living Bill for the SZenne as an attempt for its legal recognition in the Belgian constitution. The project takes place across Wallonia, Brussels
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
This is a dance of touch. The work exists in the active, tactile, engaged negotiation between performer and audience – in their tacit agreement and understanding. Arranged in an ellipse, the audience themselves form the bounds of the theatrical space. This is a journey that, by definition, performer and audience discover and create together.
After premiering the first version of The Palm of Your Hand 2015, we are now touring The Palm of Your Hand # 2 – a re-creation commissioned by the Human Body Project. This re-creation reimagines the piece by working with a group of blind and partially sighted people to help make the work communicate beyond sight.
I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.
I like to think
(right now please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.
I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
This is the world that Flesh can’t can’ t not’t ‘tis flesh h… invokes, a multimedia performance that mixes live music, projection of text, dance and sculpture. Two burning bodies guide us through the landscapes of a foreign world, to explore the bittersweet ventures of the Global South-Global North migration, and to trace part of the queer histories found in the Central American region.
Listen to Mario’s playlist here!
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
In a pulse with no body a sun with no sky, Bosse and Ezra create a zone in which spectators are invited to let go of everyday modes of looking and thinking and open themselves to strange, unsuspected connections and affections between patches of light, patches of sound, bodies and devices. Spectators are seated on stage, which is spanned by an arc of light. A voice speaks and speculates about the sensory capacities and dreams of animals, from sponges to rats. For despite
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
In a pulse with no body a sun with no sky, Bosse and Ezra create a zone in which spectators are invited to let go of everyday modes of looking and thinking and open themselves to strange, unsuspected connections and affections between patches of light, patches of sound, bodies and devices. Spectators are seated on stage, which is spanned by an arc of light. A voice speaks and speculates about the sensory capacities and dreams of animals, from sponges to rats. For despite
The River and The Devil invites the audience into the ruins of a disappearing river.
During colonial times in the Bolivian Andean Plateau, the river Desaguadero and its uncontrollable forces were demonized as ‘the Devil’ by colonial settlers. Since then, centuries of extraction have dried up the river, transforming it from water to salt. In The River and The Devil, Paula Almiron reimagines the Devil not as a destructive force but as the guardian of the river, exploring resilience and the remnants of fragmented histories. The river has turned into broken pieces, hiding and moving towards us unannounced.
Combining dance, fiction and collective storytelling, The River
In Something is Approaching, Carolina Mendonça investigates the notion of violence through writing and muscular rumination. What type of stories are stuck to our muscles that can be released by a bullet? Can our muscles dream of less violent narratives in a world that is collapsing?
After her previous work Zones of Resplendence focused on the imagination of an army that fights against sexual violence, some questions have become unavoidable and some practices seem to require more time. In Something is Approaching, Carolina and her team continue to speculate how choreography and body practices can be a form of self-defense, this time investigating the violence that is embedded in the social structure of the family.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available.
At the end of each writing