Box is an installation: a glass cube contains the strongest possible light source that can be concentrated on such a small surface; the project was developed in collaboration with engineers of Philips Lightning (Turnhout). The spectators, equipped with protective, dark glasses, are led into the room. As they watch the light, they hear the voice of the actor Johan Leysen who speaks, in German, the apocalyptic texts by Heiner Müller Verkommenes Ufer and Landschaft mit Argonauten. The light that normally allows us to see, here blinds us. It could be the light flash of a nuclear explosion, a never ceasing, eye-burning lightning that announces the end of the world.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

Over the years, the young performer Hans Bryssinck has accumulated snapshots of friends and family and records of his projects. In Silent Manifesto you see a slide-show using several projectors. In between times Bryssinck tells of minor incidents and greater events.
An intimate performance that reflects on the little idiosyncrasies of the human mind that enable you to see things in a different way.

Simon Siegmann is inviting audiences to view his Agora , an installation and place for people to meet and talk in the city. It is a structure comprising a staircase and a large raised stage where “its purpose is deliberately incomplete, awaiting a human presence.” Simon Siegmann is inviting three artists – choreographer Pierre Droulers, composer George van Dam and writer Jean-Michel Espitallier – to take possession of this bare space and transform it into a performance venue. Dance, music and words bring the public space to life.

Crystalll was originally created as a black box performance,
referring directly to the history of stage representations of female
bodies, and using light effects to emphasize the magical appearance of
an “unreachable being”.

Over the years, the young performer Hans Bryssinck has accumulated snapshots of friends and family and records of his projects. In Silent Manifesto you see a slide-show using several projectors. In between times Bryssinck tells of minor incidents and greater events.
An intimate performance that reflects on the little idiosyncrasies of the human mind that enable you to see things in a different way.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

Sterven in Stijl (To die in style) is a solo by Hans Bryssinck and Dolores Bouckaert. Sterven in Stijl shows an actress wandering round between various scenes that increasingly head for her death: fragments of memories, lost loves and a last confession.

The Bacterial Tour, a hyperactive performance with a powerful live soundtrack. Project 1 is a performance in which identity, rituals and language are of central importance. Its theme is ‘the deconstruction of a punk/rock band’.

A Las Vegas showgirl emerges from a month lost in the forest – muddy, disheveled and more animal than human. Somebody explains the expenses involved in being authentic. One woman reads pheromones. Another explains her ‘instinct for failure’.

LOOM is a choreography for four female performers.
And/ or a video installation.

LOOM questions the appearing/disappearing of the body and introduces a gradual revealing of the body; it’s a move from a barely visible shadow that is occupying the whole performance stage thanks to motion.