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DARLING (2013) emerged from the friendship between Moya Michael and Igor Shyshko, two artists born in the same year yet shaped by radically different socio‑political realities: apartheid South Africa and post‑Chornobyl Soviet Belarus. Their conversations on nationality, place, and historical circumstance gave rise to a performance tracing their individual and overlapping timelines, from their birth year in 1976 to their meeting in 1997. Through archival recordings, political speeches, and personal sound memories, they built a dense aural collage that became an autonomous presence within the performance, a “third dancer” mediating between historical narrative and the corporeal present.
Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is a performance that draws from individual and collective narratives to create an experience with sonic, visual, spatial and dancing elements.


