Gaëtan Rusquet’s the eYe in the light in the eYe resonates with Brancusi’s self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Gaëtan Rusquet’s the eYe in the light in the eYe resonates with Brancusi’s self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that “money rules the world”, are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Gallop (Biography of a Body) tells the bizarre story of the life cycle of a body. It is a chronically ill body that has reached a turning point after forty years, and often seems to have a life of its own. Its service fails and resistance loses.

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.

Gaëtan Rusquet’s the eYe in the light in the eYe resonates with Brancusi’s self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

In the beginning there was only shapeless darkness. For centuries man has been telling himself various stories about what came next: the birth of the world. In SUN-SET Ezra Veldhuis, Bosse Provoost and Oshin Albrecht try to find out how a ‘cosmogonic moment’ can be imagined, the fragile moment when ‘nothing’ turns into ‘something’.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

The act of speaking and the uncanniness of the voice are in the center of Begüm Erciyas’ research. With Pillow Talk, Erciyas presents another performance, in which the voice remains an inscrutable medium.

In Voicing Pieces, one’s own voice is staged to become the protagonist. In the intimacy of an isolated sound booth, guided by a simple score, the audience becomes spectator of their own voice.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that “money rules the world”, are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Initiated back in 2016, the long-term research we dreamt of utopia and we woke up screaming (named after writer Roberto Bolaño’s ‘First Infrarealist Manifesto’) takes on different forms and unfolds with each episode in the fashion of a radio series. By either immersing themselves within a live radio documentary show, or by activating a performative installation, the audience bares witness to the processes of conception, production and broadcasting of two carefully scripted works. The audience becomes both the contemporary listener and broadcaster. They carry the voices of past struggles and avant-garde propositions. In this way, they are invited to re-enact the solidarity with and between otherwise invisible actors of global history.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

The act of speaking and the uncanniness of the voice are in the center of Begüm Erciyas’ research. With Pillow Talk, Erciyas presents another performance, in which the voice remains an inscrutable medium.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that “money rules the world”, are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

Several Belgium-based artists are invited to present their practice through talks, videos and (fragments of) their work and research. This encounter and exchange is created for programmers and professionals active in the performing arts field.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

In Voicing Pieces, one’s own voice is staged to become the protagonist. In the intimacy of an isolated sound booth, guided by a simple score, the audience becomes spectator of their own voice.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

In Voicing Pieces, one’s own voice is staged to become the protagonist. In the intimacy of an isolated sound booth, guided by a simple score, the audience becomes spectator of their own voice.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Critical Techno is a trance lecture dance meditation — a two-hour collective journey in-between listening, dancing, words, sounds, beats, sweat, constellations, and bodies in space towards an unknown destination.

In Both, Two Tussing & Vanderbruggen examine the duet, the smallest unit of togetherness. The dance duet is a genre with a history. In their most familiar forms, duets reflect the range of possibilities for relating, which resonate within a certain cultural imaginary. In particular, they reveal common-sense attitudes towards who gets to move, how, and under what conditions.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Critical Techno is a trance lecture dance meditation — a two-hour collective journey in-between listening, dancing, words, sounds, beats, sweat, constellations, and bodies in space towards an unknown destination.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

In the beginning there was only shapeless darkness. For centuries man has been telling himself various stories about what came next: the birth of the world. In SUN-SET Ezra Veldhuis, Bosse Provoost and Oshin Albrecht try to find out how a ‘cosmogonic moment’ can be imagined, the fragile moment when ‘nothing’ turns into ‘something’.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.

In the beginning there was only shapeless darkness. For centuries man has been telling himself various stories about what came next: the birth of the world. In SUN-SET Ezra Veldhuis, Bosse Provoost and Oshin Albrecht try to find out how a ‘cosmogonic moment’ can be imagined, the fragile moment when ‘nothing’ turns into ‘something’.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Gaëtan Rusquet’s the eYe in the light in the eYe resonates with Brancusi’s self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Initiated back in 2016, the long-term research we dreamt of utopia and we woke up screaming (named after writer Roberto Bolaño’s ‘First Infrarealist Manifesto’) takes on different forms and unfolds with each episode in the fashion of a radio series. By either immersing themselves within a live radio documentary show, or by activating a performative installation, the audience bares witness to the processes of conception, production and broadcasting of two carefully scripted works. The audience becomes both the contemporary listener and broadcaster. They carry the voices of past struggles and avant-garde propositions. In this way, they are invited to re-enact the solidarity with and between otherwise invisible actors of global history.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.