In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Initiated back in 2016, the long-term research we dreamt of utopia and we woke up screaming (named after writer Roberto Bolaño’s ‘First Infrarealist Manifesto’) takes on different forms and unfolds with each episode in the fashion of a radio series. By either immersing themselves within a live radio documentary show, or by activating a performative installation, the audience bares witness to the processes of conception, production and broadcasting of two carefully scripted works. The audience becomes both the contemporary listener and broadcaster. They carry the voices of past struggles and avant-garde propositions. In this way, they are invited to re-enact the solidarity with and between otherwise invisible actors of global history.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

In newpolyphonies rewired the presence of sound is contagious, stirring the air and wobbling wave-patterns to the point of sweet vertigo. Among 20 little loudspeakers the listener surrenders to an ever-changing journey, where elastic landscapes arise before they sink back under the skin.

In the beginning there was only shapeless darkness. For centuries man has been telling himself various stories about what came next: the birth of the world. In SUN-SET Ezra Veldhuis, Bosse Provoost and Oshin Albrecht try to find out how a ‘cosmogonic moment’ can be imagined, the fragile moment when ‘nothing’ turns into ‘something’.

Critical Techno is a trance lecture dance meditation — a two-hour collective journey in-between listening, dancing, words, sounds, beats, sweat, constellations, and bodies in space towards an unknown destination.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

In newpolyphonies rewired the presence of sound is contagious, stirring the air and wobbling wave-patterns to the point of sweet vertigo. Among 20 little loudspeakers the listener surrenders to an ever-changing journey, where elastic landscapes arise before they sink back under the skin.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Gallop (Biography of a Body) tells the bizarre story of the life cycle of a body. It is a chronically ill body that has reached a turning point after forty years, and often seems to have a life of its own. Its service fails and resistance loses.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

The act of speaking and the uncanniness of the voice are in the center of Begüm Erciyas’ research. With Pillow Talk, Erciyas presents another performance, in which the voice remains an inscrutable medium.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that “money rules the world”, are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Critical Techno is a trance lecture dance meditation — a two-hour collective journey in-between listening, dancing, words, sounds, beats, sweat, constellations, and bodies in space towards an unknown destination.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

Initiated back in 2016, the long-term research we dreamt of utopia and we woke up screaming (named after writer Roberto Bolaño’s ‘First Infrarealist Manifesto’) takes on different forms and unfolds with each episode in the fashion of a radio series. By either immersing themselves within a live radio documentary show, or by activating a performative installation, the audience bares witness to the processes of conception, production and broadcasting of two carefully scripted works. The audience becomes both the contemporary listener and broadcaster. They carry the voices of past struggles and avant-garde propositions. In this way, they are invited to re-enact the solidarity with and between otherwise invisible actors of global history.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved”. What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

What if the theatre were the belly of a huge whale? Or no, wait – a futuristic, completely unknown ecosystem? Ezra Veldhuis and Bosse Provoost deploy the theatre’s full technical apparatus to evoke an environment that echoes both Jeff VanderMeer’s eco science fiction and Inger Christensen’s poetry.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Lecture-performance (70min)

At the occasion of 7 years Lecture For Every One, Sarah Vanhee made a performance with stories and memories, looking at the places where, today, we are supposed to be “together.”

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

In Voicing Pieces, one’s own voice is staged to become the protagonist. In the intimacy of an isolated sound booth, guided by a simple score, the audience becomes spectator of their own voice.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl – Étude is a kinesthetic and subjective investigation of the field of House dance – a style born in the clubs of Chicago & New York in the early eighties.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In the beginning there was only shapeless darkness. For centuries man has been telling himself various stories about what came next: the birth of the world. In SUN-SET Ezra Veldhuis, Bosse Provoost and Oshin Albrecht try to find out how a ‘cosmogonic moment’ can be imagined, the fragile moment when ‘nothing’ turns into ‘something’.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Hiros, Caravan Production, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production & invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Soirée d’études was born out of Cassiel Gaube’s passion for the vocabulary of house dance, of which he explores the potential intersections with the compositional approaches of contemporary dance.

Critical Techno is a trance lecture dance meditation — a two-hour collective journey in-between listening, dancing, words, sounds, beats, sweat, constellations, and bodies in space towards an unknown destination.

Initiated in 2018 by Marialena Marouda and later joined by composer Charlie Usher and performance maker Elpida Orfanidou, The Oceanographies Institute (TOI) studies the kinship between humans and oceans. Focusing on the relation between these two bodies of water, TOI seeks to give particular attention to their affectual and sensual encounters.