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Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
Zenne School
The River and The Devil invites the audience into the ruins of a disappearing river.
A mold refers to two very different things: it is a type of fungus but is also a hollow container to cast a specific form or pattern. As a fungus, a mold functions as a mycelial network that grows in ways that seem uncontrollable: connecting, colonizing, infecting, digesting, fruiting and producing spores. As a pattern, a mold is a matrix, a form that shapes malleable matters. MOLD wants to stage the conflict between spontaneous proliferation and casting, between two different logics in the same body.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is a performance that draws from individual and collective narratives to create an experience with sonic, visual, spatial and dancing elements.
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 4
The River and The Devil invites the audience into the ruins of a disappearing river.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
The River and The Devil invites the audience into the ruins of a disappearing river.
In this new work, Carolina Mendonça continues her investigation into violence — not in its immediate explosion, but in its afterlife. Something is Approaching looks beyond the moment of the violent act to trace its long-term effects: the way violence settles into muscle, shapes attention, distorts imagination. If Zones of Resplendence imagined an army rising against sexual violence, this new piece lingers with what violence implants in us: tension, rumination, a sort of damnation, a muscular readiness.
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 4
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING WITH 4
In this new work, Carolina Mendonça continues her investigation into violence — not in its immediate explosion, but in its afterlife. Something is Approaching looks beyond the moment of the violent act to trace its long-term effects: the way violence settles into muscle, shapes attention, distorts imagination. If Zones of Resplendence imagined an army rising against sexual violence, this new piece lingers with what violence implants in us: tension, rumination, a sort of damnation, a muscular readiness.
The River and The Devil invites the audience into the ruins of a disappearing river.
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
WALKING-WITH 1 in collab with WIELS
In this new work, Carolina Mendonça continues her investigation into violence — not in its immediate explosion, but in its afterlife. Something is Approaching looks beyond the moment of the violent act to trace its long-term effects: the way violence settles into muscle, shapes attention, distorts imagination. If Zones of Resplendence imagined an army rising against sexual violence, this new piece lingers with what violence implants in us: tension, rumination, a sort of damnation, a muscular readiness.
Ezra Veldhuis & Bosse Provoost
a pulse with no body a sun with no sky
Beyond the black Box festival
try-out
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
Maria Lucia Cruz Correia
STILL HERE – an alliance of care for the SZenne River
CONFLUENCE
Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is a performance that draws from individual and collective narratives to create an experience with sonic, visual, spatial and dancing elements.
Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is a performance that draws from individual and collective narratives to create an experience with sonic, visual, spatial and dancing elements.