Is there something you want to say or write
but can’t find the words?
Then visit words service.
Supporting the development of artistic trajectories
Is there something you want to say or write
but can’t find the words?
Then visit words service.
En reconnaissance merges choreography and sound in a performance that creates a space to experiment with what separates, links and moves us. Giving room to what is present, to every thing that is present without establishing a hierarchy between what is considered human and non-human. En reconnaissance examines the matter and what animates it, and tries to make perceptible the links between the visible and the invisible.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
An immersion in the cracks, the non-productivity, and transcendence of the geological base of Brussels
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
In Something is Approaching, Carolina Mendonça investigates the notion of violence through writing and muscular rumination. What type of stories are stuck to our muscles that can be released by a bullet? Can our muscles dream of less violent narratives in a world that is collapsing?
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
PUBLIC PRESENTATION
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
This is a dance of touch. The work exists in the active, tactile, engaged negotiation between performer and audience – in their tacit agreement and understanding. Arranged in an ellipse, the audience themselves form the bounds of the theatrical space. This is a journey that, by definition, performer and audience discover and create together.
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
a pulse with no body a sun with no sky is the new installation for the theater space of Ezra Veldhuis & Bosse Provoost. As in their previous projects SUN-SET (2020), Indoor Weather (2021) and All Watched Over by Machines of Loving Grace (2023), they evoke a world with its own cosmology, constructed from light, sound and scenography.
The River and The Devil invites the audience into the ruins of a disappearing river.
In Something is Approaching, Carolina Mendonça investigates the notion of violence through writing and muscular rumination. What type of stories are stuck to our muscles that can be released by a bullet? Can our muscles dream of less violent narratives in a world that is collapsing?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Is there something you want to say or write
but can’t find the words?
Then visit words service.