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Supporting the development of artistic trajectories
Is there something you want to say or write
but can’t find the words?
Then visit words service.
En reconnaissance merges choreography and sound in a performance that creates a space to experiment with what separates, links and moves us. Giving room to what is present, to every thing that is present without establishing a hierarchy between what is considered human and non-human. En reconnaissance examines the matter and what animates it, and tries to make perceptible the links between the visible and the invisible.
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An immersion in the cracks, the non-productivity, and transcendence of the geological base of Brussels
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
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but can’t find the words?
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In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
WALKING WITH 1
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In this promenade performance incorporating dance, immersive choreography, sculpture and sound art, Vera Tussing and collaborators ask: What comes before touch?
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
WALKING WITH 2
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
Is there something you want to say or write
but can’t find the words?
Then visit words service.
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
How does a river flow and weave alliances between humans and other-than-humans? Do we need other ways of rendering care and enacting justice for the SZenne River? How do we co-create a living bill as a legitimate gesture of care with SZenne river and its allies?
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
In the performance Record, a choir of young people sings sitting on a ledge, a window, a balcony, a place on the border between the intimate space of a home and public space. The song composition is a text resulting from the exchange, confession, declaration of a hikikomori, with whom the artist has been in touch for more than a year.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Is there something you want to say or write
but can’t find the words?
Then visit words service.
Imagine a sci-fi world shaped by the musical genre of reggaeton, the urban dance perreo, the linguistic experience of accessing everyday life through a limited understanding of English, and the historical connection of Central America with the export of exotic fruits.
Is there something you want to say or write
but can’t find the words?
Then visit words service.