History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Wallifornië is often described as a land diffifcult to access, where forests still grow luxuriantly, where beer floats spontaneously from the home taps. Many are those who believe that ‘Wallifornië ” is a name derived from the earthly paradise that was destroyed during the floods. Claptrap!

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

In Sitting with the Body 24/7, a small group of people retreats into a shop window in the city centre for a week. They perform ordinary activities there: sitting, lying, walking, standing, making things, seeing, dancing and speaking.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Wallifornië is often described as a land diffifcult to access, where forests still grow luxuriantly, where beer floats spontaneously from the home taps. Many are those who believe that ‘Wallifornië ” is a name derived from the earthly paradise that was destroyed during the floods. Claptrap!

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

LIGHT, MEDIUM, STRONG
are three productions that each touch upon one of the many facets of death; time, knowledge and the irrevocable respectively.
The complexity of the subject and the complexity of the (different) moments of death, made us choose to create three productions.
LIGHT, MEDIUM, STRONG are independent performances.
Three performances with clear titles that give an indication of what you may expect.

Wallifornië is often described as a land diffifcult to access, where forests still grow luxuriantly, where beer floats spontaneously from the home taps. Many are those who believe that ‘Wallifornië ” is a name derived from the earthly paradise that was destroyed during the floods. Claptrap!

LIGHT, MEDIUM, STRONG
are three productions that each touch upon one of the many facets of death; time, knowledge and the irrevocable respectively.
The complexity of the subject and the complexity of the (different) moments of death, made us choose to create three productions.
LIGHT, MEDIUM, STRONG are independent performances.
Three performances with clear titles that give an indication of what you may expect.

LIGHT, MEDIUM, STRONG
are three productions that each touch upon one of the many facets of death; time, knowledge and the irrevocable respectively.
The complexity of the subject and the complexity of the (different) moments of death, made us choose to create three productions.
LIGHT, MEDIUM, STRONG are independent performances.
Three performances with clear titles that give an indication of what you may expect.

LIGHT, MEDIUM, STRONG
are three productions that each touch upon one of the many facets of death; time, knowledge and the irrevocable respectively.
The complexity of the subject and the complexity of the (different) moments of death, made us choose to create three productions.
LIGHT, MEDIUM, STRONG are independent performances.
Three performances with clear titles that give an indication of what you may expect.

On an enormous canvas, writer, designer, theatre maker and visual artist Bernard Van Eeghem paints the highlights of both world and art history, from the beginning of the world until the birth of painting. One thing always leads to another: his performance is a never-ending story, a powerful experience for the audience.

A l’ombre des jeunes filles en fleurs, à 37º le matin et au péril de son coeur, Adolphe, un homme venu de la nuit ainsi qu’un héros très discret, à voix basse, déclare son amour à Fanfan. Dans la plus grande joie où deux et deux font trois comme à travers le feu, ils s’en vont, elle et lui, d’un château à l’autre, la terre sur les épaules, à travers le blé qui lève comme une symphonie pastorale et en traversant les carrefours des solitudes, le coeur en poche comme si notre prison était un royaume. Mais un jour d’orage, le vent de la haine, comme un éclat de rire, atterrit dans le village englouti et la belle alliance s’en va et les nuits fauves accouchent enfin une sombre histoire comme un sac de billes et sa cendre. Plus tard, dans un pays lointain, les enfants aux cheveux gris, Fanfan et Adolphe, tous les deux immobiles dans le courant du fleuve, sous les étoiles de minuit, ils attendent l’heure de leur mort. Puis passe une caravane sans chameaux. Bonjour tristesse.

LIGHT, MEDIUM, STRONG
are three productions that each touch upon one of the many facets of death; time, knowledge and the irrevocable respectively.
The complexity of the subject and the complexity of the (different) moments of death, made us choose to create three productions.
LIGHT, MEDIUM, STRONG are independent performances.
Three performances with clear titles that give an indication of what you may expect.

Welcome To the Jungle is a performance installation inspired by the potential implications of the ecological term ‘global weirding’.

Phenomena, the first group choreography created by Vardarou, is inspired by Hardcore Research on Dance (2012), a solo created around the origins of her personal way of movement.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Monique finds its inspiration in bondage, turning its practice into choreographic instructions. How does one pervert a “perverse” act?
A similar strategy has been applied to all the elements in Monique: all collaborators were searching for disrespectful ways of working with elements they adored.

Faire un Four is an expression from the 17th century theatre world which means “to suffer a defeat”. Literally it is “to make an oven” but it almost sounds like “to make a four” hence “a quartet”.

In Sitting with the Body 24/7, a small group of people retreats into a shop window in the city centre for a week. They perform ordinary activities there: sitting, lying, walking, standing, making things, seeing, dancing and speaking.

Merlin Spie will take part in the summer group exhibition Sponsored by Nature at the Verbeke Foundation, Belgium. She will be working as an artist is residence from february, until the opening in may.


 Since 2000 Merlin Spie is especially known as a LIVE ART performance artist, nevertheless the relationship with fine art was always very present.
Merlin Spie’s work manages to evoke various and deep layers through a process of physical & mental transformation. This critical approach and her organic creation process have resulted in drawings, installations, mixed media and eventually in performances. 

Before 2000 her work evolved into large constructions and she worked with materials such as butter and pear syrup. For this exhibition she will work further on that typical older work.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Bernard Van Eeghem is a theatre-maker, artist and writer. In Sanglier these activities are combined more than ever.
** nominated as ‘best performace’ for the “prix de la critique 2012” **

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Works of science fiction give us an insight into a future civilization by telling the adventures of one of its individual inhabitants. Some use for your broken clay pots, on the contrary, provides us with the code that rules the life of the society it imagines.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

The Lac of Signs is a solo for dancer Chrysa Parkinson. Based, in one way or another, or another, or another on the classic Swan Lake (Le Lac Des Cygnes), The Lac of Signs will be presented in two separate formats, a libretto- booklet and a hologram video projection.

“When I travel through my room, I rarely follow a straight line, I go from the table towards a picture hanging in a corner, from there I only want to encounter the door, when I begin it is always my intention to get there, but then I meet my armchair en route and I don’t think twice and settle down in it without further ado” Xavier De Maistre, Voyage autour de ma chambre

Bernard Van Eeghem is a theatre-maker, artist and writer. In Sanglier these activities are combined more than ever.
** nominated as ‘best performace’ for the “prix de la critique 2012” **

For their project This place, Marcos Simoes and Sara Manente invite an “artistic couple” to share for two weeks a working space and a number of practices. The project consists of seven variations with seven different couples. By doing so, This place intends to keep on ‘displacing’ itself, its proposal, its performativity and its context. The project consists of every single as well as all variations together.

Bernard Van Eeghem is a theatre-maker, artist and writer. In Sanglier these activities are combined more than ever.
** nominated as ‘best performace’ for the “prix de la critique 2012” **

Bernard Van Eeghem is a theatre-maker, artist and writer. In Sanglier these activities are combined more than ever.
** nominated as ‘best performace’ for the “prix de la critique 2012” **

The Lac of Signs is a solo for dancer Chrysa Parkinson. Based, in one way or another, or another, or another on the classic Swan Lake (Le Lac Des Cygnes), The Lac of Signs will be presented in two separate formats, a libretto- booklet and a hologram video projection.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

Wallifornië is often described as a land diffifcult to access, where forests still grow luxuriantly, where beer floats spontaneously from the home taps. Many are those who believe that ‘Wallifornië ” is a name derived from the earthly paradise that was destroyed during the floods. Claptrap!

Hertz, the performance-concert by choreographer Sidney Leoni, is subject to obscurity, high sound pressure levels, vibrations and fog.

Wallifornië is often described as a land diffifcult to access, where forests still grow luxuriantly, where beer floats spontaneously from the home taps. Many are those who believe that ‘Wallifornië ” is a name derived from the earthly paradise that was destroyed during the floods. Claptrap!

Phenomena, the first group choreography created by Vardarou, is inspired by Hardcore Research on Dance (2012), a solo created around the origins of her personal way of movement.

Monique finds its inspiration in bondage, turning its practice into choreographic instructions. How does one pervert a “perverse” act?
A similar strategy has been applied to all the elements in Monique: all collaborators were searching for disrespectful ways of working with elements they adored.

Welcome To the Jungle is a performance installation inspired by the potential implications of the ecological term ‘global weirding’.

Monique finds its inspiration in bondage, turning its practice into choreographic instructions. How does one pervert a “perverse” act?
A similar strategy has been applied to all the elements in Monique: all collaborators were searching for disrespectful ways of working with elements they adored.

And the Lord God called unto Adam and said unto him, Where art thou? – Gen. 3:9

TRAILER

The Lac of Signs is a solo for dancer Chrysa Parkinson. Based, in one way or another, or another, or another on the classic Swan Lake (Le Lac Des Cygnes), The Lac of Signs will be presented in two separate formats, a libretto- booklet and a hologram video projection.

Leentje Vandenbussche doesn’t only make performative pieces, her work also takes the shape of a visual arts practice. It is often in preparation of her performances, that (monk-like) graphical work and publications come to life, in a quest to overcome linguistics, and to visualize data. A human being tries to understand. The research method of Leentje Vandenbussche verges on insanity. By means of different drudgeries she has looked for something to hold on to in the vast subjects of all and nothing. Carried by (/subordinated to) an isolated, monotonous rhythm, her research studies give intriguing results. A fascinating view on all and nothing, a look behind the scenes of the performances.

An overview of former projects, dating from 2005 till today, is listed below.

The Myth of the Great Transition is a philosophical tale full of wild beasts, joy and resistance.

For their project This place, Marcos Simoes and Sara Manente invite an “artistic couple” to share for two weeks a working space and a number of practices. The project consists of seven variations with seven different couples. By doing so, This place intends to keep on ‘displacing’ itself, its proposal, its performativity and its context. The project consists of every single as well as all variations together.

Monique finds its inspiration in bondage, turning its practice into choreographic instructions. How does one pervert a “perverse” act?
A similar strategy has been applied to all the elements in Monique: all collaborators were searching for disrespectful ways of working with elements they adored.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.

The Lac of Signs is a solo for dancer Chrysa Parkinson. Based, in one way or another, or another, or another on the classic Swan Lake (Le Lac Des Cygnes), The Lac of Signs will be presented in two separate formats, a libretto- booklet and a hologram video projection.

For their project This place, Marcos Simoes and Sara Manente invite an “artistic couple” to share for two weeks a working space and a number of practices. The project consists of seven variations with seven different couples. By doing so, This place intends to keep on ‘displacing’ itself, its proposal, its performativity and its context. The project consists of every single as well as all variations together.

Meanwhile, is a work about bodies, architectures, and disasters. The performers are evolving in a set that could be an architectural model or installation. Constantly, they have to deal with a destruction’s threat on what they build. By playing with scales, the body within the space ranges from power to helplessness.

History is clogged. There are no more revolutions. What else can we add? A play about forgetting and forgiving, about knowledge and riddles and the lack of stories.