Agenda

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20242025
2026

Nikima Jagudajev

Basically

KiasmaHelsinki, Finland

Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the

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Ezra Veldhuis & Bosse Provoost

All Watched over by Machines of Loving Grace

corsoAntwerp, Belgium

in collab with Monty

I like to think (and
    the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
    (right now please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
    (it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving

...

Maria Lucia Cruz Correia

STILL HERE – an alliance of care for the SZenne River

Mechelen, Belgium

Zenne School

Since 2023, Natural Contract Lab (NCL) has been walking-with* the SZenne river and its kin communities including people, dragonflies, willows, sparrows, rain, knotweed, nettles…  seen and unseen. From its source, under a willow tree in Naast to its confluence, where the river bifurcates with other bodies of water.

STILL HERE is an ephemeral process that is trying to recalibrate the sensuous affection for the SZenne and its kin, to acknowledge water ecosystems and its meaningful relationships. STILL HERE attends to the river, and becomes

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Paula Almirón

The River and The Devil

BeursschouwburgBrussels, Belgium

premiere

The River and The Devil invites the audience into the ruins of a disappearing river.

During colonial times in the Bolivian Andean Plateau, the river Desaguadero and its uncontrollable forces were demonized as ‘the Devil’ by colonial settlers. Since then, centuries of extraction have dried up the river, transforming it from water to salt. In The River and The Devil, Paula Almiron reimagines the Devil not as a destructive force but as the guardian of the river, exploring resilience and the remnants of fragmented histories. The river has turned into broken pieces, hiding and moving towards us unannounced.

Combining dance, fiction and collective storytelling, The River

...

Sara Manente

MOLD

La MutantValencia, Spain

A mold refers to two very different things: it is a type of fungus but is also a hollow container to cast a specific form or pattern. As a fungus, a mold functions as a mycelial network that grows in ways that seem uncontrollable: connecting, colonizing, infecting, digesting, fruiting and producing spores. As a pattern, a mold is a matrix, a form that shapes malleable matters. MOLD wants to stage the conflict between spontaneous proliferation and casting, between two different logics in the same body.

Drawing on a variety of practices – mycology, fashion, fermentation, dance and sculpture – MOLD approaches the theater machine as a multiplicity of bodies. We want MOLD not only to be a performance but also a farm. An environment where dance, objects, audience, light, music, scents and costumes interact as living cultures. A garden dedicated to cultivating, abandoning, inoculating, braiding, duplicating, sprouting, warming up and decaying.

Watch a video interview with Sara Manente about MOLD here.

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Sarah Vanhee

words service

in collab with VierNulVier

Campo NieuwpoortGent, Belgium

public presentation

Is there something you want to say or write 

but can’t find the words?

Then visit words service.

The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available. 

At the end of each writing

...

Sarah Vanhee

words service

at AZ Sint-Lucas

CAMPOGent, Belgium

weekly on Tuesdays

Is there something you want to say or write 

but can’t find the words?

Then visit words service.

The words provider will lend you a listening ear. words service is happy to help you with matters of head, heart and soul for which you need words. Communication is precious. Various writings are created with care and precision, in consultation, within a discreet, poetic setting. words service can be visited weekly at a fixed location in the city, for several months. The service is free and publicly accessible, with or without an appointment. Multiple languages are available. 

At the end of each writing

...

Nikima Jagudajev

Basically

Westfälischer KunstvereinMünster, Germany

Basically is an ongoing live project. It utilizes the exhibition space as a hybrid production space and playground; a context to practice and perform within. Basically is structured as a choreographic game in which four performers hold the rules of the game constant, incorporating visitors in visible and invisible ways. The work is governed by the formal rules as well as by the subjective interpretations that occur in interactions with and between the participating artists and visitors. The creation and re-creation of the

...

Stanley Ollivier

Spine of Desire: Wounds without tears, out of one skin in diamonds and shit

KaaitheaterBrussels, Belgium

premiere

Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is a performance that draws from individual and collective narratives to create an experience with sonic, visual, spatial and dancing elements.

Stanley Ollivier’s new work takes as a starting point the community building power of POC belonging spaces in order to reformulate familiar choreographic approaches. Together with performers Lily Brieu Nguyen and Mamadou Wagué, they explore everyday reality and social changes through a danced language that reflects the interrelations between the intimate, the body and the creation of a guarded, safe space.